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X-WR-CALDESC:Exhibiting in the Phantom Gallery through June\n\nThe ZACC wel
 comed Resident Artist Shanlee Cox this April. Shanlee created new works in
  the LGB printmaking studio\, assisted with the ZACC’s free community art 
 event Drink & Draw Printmaking and led a family-friendly public Letterpres
 s Demonstration at the ZACC. Shanlee’s new works will be on display in the
  Phantom Gallery on the second floor of the ZACC beginning May 3rd. \n\nAR
 TIST BIO \nShanlee Cox was born and raised in Grand Forks\, ND. Early on\,
  Midwestern ideologies defined their reality. While studying Art Education
  at MSU - Bozeman\, Cox simultaneously discovered printmaking and the impo
 rtance of storytelling in both artistic creation and human development. No
 w\, Cox uses printmaking as a mode of communication through which they rec
 oncile their early conservative teachings with their lived experiences\, b
 alancing subject and process to create works that speak to both. Cox recen
 tly spent a year in Philadelphia\, PA completing a residency at Second Sta
 te Press\, a nonprofit community print studio in Kensington. There\, in ad
 dition to their regular studio practice\, Shanlee taught letterpress\, lin
 ocut\, and bookbinding workshops. \n\nARTIST STATEMENT \n“I feel grounded 
 in the real and enticed by what it conceals. Through the laborious and rep
 etitive printmaking process\, I chip away at the hidden meanings of everyd
 ay objects with each block I carve and each stitch I sew. I aim to reveal 
 their personal and universal influence in my editions and through doing so
 \, can better understand\, honor\, and examine why we surround ourselves w
 ith the things we do. My work is a collection of self-realization\, moral 
 reckoning\, and nostalgia all seen through the lens of tangible objects an
 d felt through collective memories. The printed multiple serves these conc
 epts well as the strenuous procedure required to make them mimics the seri
 es of personal and moral developments\, we all go through as we age and ga
 ther our own identities and principles. Thus\, my works are\, in the end\,
  a product of both processes.”
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DTSTART:20231105T020000
TZOFFSETFROM:-0600
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RDATE:20251102T020000
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DTSTART:20240310T020000
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BEGIN:VEVENT
UID:df79b805-94b3-4669-aefe-06a33b707e1a
DTSTAMP:20260503T120554Z
DESCRIPTION:Exhibiting in the Phantom Gallery through June\n\nThe ZACC welc
 omed Resident Artist Shanlee Cox this April. Shanlee created new works in 
 the LGB printmaking studio\, assisted with the ZACC’s free community art e
 vent Drink & Draw Printmaking and led a family-friendly public Letterpress
  Demonstration at the ZACC. Shanlee’s new works will be on display in the 
 Phantom Gallery on the second floor of the ZACC beginning May 3rd. \n\nART
 IST BIO \nShanlee Cox was born and raised in Grand Forks\, ND. Early on\, 
 Midwestern ideologies defined their reality. While studying Art Education 
 at MSU - Bozeman\, Cox simultaneously discovered printmaking and the impor
 tance of storytelling in both artistic creation and human development. Now
 \, Cox uses printmaking as a mode of communication through which they reco
 ncile their early conservative teachings with their lived experiences\, ba
 lancing subject and process to create works that speak to both. Cox recent
 ly spent a year in Philadelphia\, PA completing a residency at Second Stat
 e Press\, a nonprofit community print studio in Kensington. There\, in add
 ition to their regular studio practice\, Shanlee taught letterpress\, lino
 cut\, and bookbinding workshops. \n\nARTIST STATEMENT \n“I feel grounded i
 n the real and enticed by what it conceals. Through the laborious and repe
 titive printmaking process\, I chip away at the hidden meanings of everyda
 y objects with each block I carve and each stitch I sew. I aim to reveal t
 heir personal and universal influence in my editions and through doing so\
 , can better understand\, honor\, and examine why we surround ourselves wi
 th the things we do. My work is a collection of self-realization\, moral r
 eckoning\, and nostalgia all seen through the lens of tangible objects and
  felt through collective memories. The printed multiple serves these conce
 pts well as the strenuous procedure required to make them mimics the serie
 s of personal and moral developments\, we all go through as we age and gat
 her our own identities and principles. Thus\, my works are\, in the end\, 
 a product of both processes.”
DTSTART;TZID=America/Denver:20240503T170000
DTEND;TZID=America/Denver:20240630T180000
LOCATION:in the Phantom Gallery
SUMMARY:Works by Shanlee Cox\, a Laura Grace Barrett Printmaking Resident A
 rtist
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